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- AESTHETICS AND REALISATION (6)
- STUDIO WORK (6)
- ASSIGNMENT 1 (4)
- ASSIGNMENT 2 (3)
- ASSIGNMENT 3 (2)
- ASSIGNMENT 5 (3)
- EXHIBITION (1)
- New work (1)
- Self Assessment (1)
- PART 1 – CONTEMPORARY CURATORIAL DISCOURSE (13)
- STUDIO WORK (12)
- PART 2- FROM STUDIO TO SITUATION (7)
- PART 3 – SPACE (4)
- PART 4 CURATING AS ART (12)
- PART 4 studio work (1)
- PART 5 – YOUR EXHIBITION (3)
- READING (4)
- RESEARCH (5)
- AESTHETICS AND REALISATION (6)
Category Archives: PART 1 – CONTEMPORARY CURATORIAL DISCOURSE
PART 2-studio work – post 2
PART 2 STUDIO WORK – post 2
The garden in mid-summer is in full performance mode and each morning the ‘dance’ begins!
7.00 am…
Stillness
Waiting…
Not a breath
Birds murmuring
Gently echo in the air.
Far off the motorway … Read the rest
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PART 2 studio work – post 1
PART 2 STUDIO WORK – POST 1
Following up on the pointers for the next assignment from the tutor, I have been giving thought to where the focus on ‘sound’ features in the present work. One of the pointers is … Read the rest
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PART 1 STUDIO WORK
EXPERIMENTATION
Responding to sound through visual imagery continues to be the focus of my work and I’m looking for ways to allow the outcome to be experienced in another dimension beyond seeing. In this post I’m experimenting with producing a … Read the rest
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PART 1 STUDIO WORK
ABSTRACTION AND SOUND
Continuing my investigation into conveying sound through image making, I ran some of my work by a group of fellow painters and their responses were enlightening. The following is what I gained from the discussion.
- They didn’t
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PART 1 STUDIO WORK
I’m continuing to read about artists who looked to be on the cusp of abstraction in their work and were searching for new views of reality when looking at the landscape. The sensory experience of the landscape dominated their creative … Read the rest
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PART 1 Contemporary curatorial discourse – post 1
PART 1 CONTEMPORARY CURATORIAL DISCOURSE
READING: The Culture of Curating and the Curating of Culture – Paul O’Neill
Guardian interview: Hans Ulrich Obrist: the art of curation – Stuart Jeffries and Nancy Groves – 2014
A Brief History of Curating … Read the rest
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PART 1-STUDIO WORK …dawn chorus
In searching for the expression of my response to bird sound, I have been taking advantage of the time of year to catch the dawn chorus. The first time I got up at 5.15 am to draw and found that … Read the rest
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PART 1 – STUDIO WORK – sound and memory
PART 1 – studio work
Link to memory
Thoughout this course of study and in particular during the research and forensic analysis of my work which went into the critical essay writing, I find that ‘memory’ keeps playing a major … Read the rest
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Soundscape and memory
Sound can be a highly emotional thing! In my explorations I am finding that ‘listening’ is a quality of life more than just one of the senses.
This piece done in wire and painted muslin followed the previous work and … Read the rest
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Part 1 – Continuing studio work on soundscape
The search to interpret ‘sound’ in paint has continued and as I wrote in the last post, exploring other media has been important in this process. My focus is the garden as this is a period of remaining housebound and … Read the rest
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