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Recent Posts
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- AESTHETICS AND REALISATION (6)
- STUDIO WORK (6)
- ASSIGNMENT 1 (4)
- ASSIGNMENT 2 (3)
- ASSIGNMENT 3 (2)
- ASSIGNMENT 5 (3)
- EXHIBITION (1)
- New work (1)
- Self Assessment (1)
- PART 1 – CONTEMPORARY CURATORIAL DISCOURSE (13)
- STUDIO WORK (12)
- PART 2- FROM STUDIO TO SITUATION (7)
- PART 3 – SPACE (4)
- PART 4 CURATING AS ART (12)
- PART 4 studio work (1)
- PART 5 – YOUR EXHIBITION (3)
- READING (4)
- RESEARCH (5)
- AESTHETICS AND REALISATION (6)
Author Archives: Patricia Farrar
PART 1 ASSIGNMENT 1 – self assessment
PART 1 ASSIGNMENT 1
Self assessment
As I begin writing this short self assessment, I find myself in the situation of virtually ‘flying solo’. My previous two courses, Major Project and Contextual Studies, have not been assessed because of lockdown … Read the rest
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PART 1 STUDIO WORK
EXPERIMENTATION
Responding to sound through visual imagery continues to be the focus of my work and I’m looking for ways to allow the outcome to be experienced in another dimension beyond seeing. In this post I’m experimenting with producing a … Read the rest
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PART 1 STUDIO WORK
ABSTRACTION AND SOUND
Continuing my investigation into conveying sound through image making, I ran some of my work by a group of fellow painters and their responses were enlightening. The following is what I gained from the discussion.
- They didn’t
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PART 1 STUDIO WORK
I’m continuing to read about artists who looked to be on the cusp of abstraction in their work and were searching for new views of reality when looking at the landscape. The sensory experience of the landscape dominated their creative … Read the rest
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READING: “The Unquiet Landscape”
READING
“Unquiet Landscape” Christopher Neve
Thames & Hudson 2020
What immediately drew me into this book were a few sentences in the preface: “…this book is about other things rather than falling into the old art-historical trap of attempting to … Read the rest
PART 1 Contemporary curatorial discourse – post 1
PART 1 CONTEMPORARY CURATORIAL DISCOURSE
READING: The Culture of Curating and the Curating of Culture – Paul O’Neill
Guardian interview: Hans Ulrich Obrist: the art of curation – Stuart Jeffries and Nancy Groves – 2014
A Brief History of Curating … Read the rest
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PART 1-STUDIO WORK …dawn chorus
In searching for the expression of my response to bird sound, I have been taking advantage of the time of year to catch the dawn chorus. The first time I got up at 5.15 am to draw and found that … Read the rest
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PART 1 – STUDIO WORK – sound and memory
PART 1 – studio work
Link to memory
Thoughout this course of study and in particular during the research and forensic analysis of my work which went into the critical essay writing, I find that ‘memory’ keeps playing a major … Read the rest
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RESEARCH: “IVON HITCHENS” Peter Khoroche
“My pictures are painted to be listened to…” page 81
Notes from ‘Ivon Hitchens’ Peter Khoroche 2007 Lund Humphries
Connection with music
- …I often use the long shape. A receding movement demands a forward static movement, just as academically one
RESEARCH: ‘THE SOUNDSCAPE’ R. Murrey Schafer
RESEARCH
READING:
‘THE SOUNDSCAPE – OUR SONIC ENVIRONMENT AND THE TUNING OF THE WORLD’ R. Murray Schafer 1977 Destiny Books, by arrangement with Alfred Knopf, Inc.
A fascinating book! I wanted to read it to be able to work more … Read the rest